Current Ring editor Fischer has assured boxing fans that, while The Ring may be down, it is definitely not out. “The magazine will carry on through the internet,” Fischer said, according to NYFights.com. “The Ring is not dead. The Ring is not going away. If anything, The Ring will continue to be here for us, bigger and better than ever. ‘The Bible of Boxing’ has withstood the test of time.” Launched in the ground floor janitor’s closet at Tex Rickard’s Madison Square Garden, Nat Fleischer’s “one-man show,” The Ring magazine published — and quickly sold-out 2,700 copies of its February 1922 debut issue. Response to the publication — founded in Fleischer’s words to be “the recording organ of both the contemporary scene and the romantic past in the history of pugilism” — was instantly ecstatic. Some people began immediately referring to The Ring as “a valentine to pugilism.”

The featherweight Fleischer, 5’2”, 122-pounds, always in a smart suit and an immaculate necktie, was never bashful about his mission statement. During his 50-year tenure as editor, Fleischer laid it out clearly on every issue’s Table of Contents page. “The Ring is a magazine which a man may take home with him,” Fleischer wrote. “He may leave it on his library table safe in the knowledge that it does not contain one line of matter either in the text or the advertisements which would be offensive. The publisher of The Ring guards this reputation of his magazine zealously. It is entertaining and it is clean.” Throughout the Roaring Twenties, The Ring not only survived, but flourished. By its sixth issue, July 1922, the magazine enjoyed a nationwide circulation of nearly 13,000 and replaced the long-running National Police Gazette as America’s go-to periodical for all things boxing related, while also diluting the popularity of Mike Collins’ Twin Cities-based Boxing Blade. At its peak in the 1940s, The Ring had a nationwide circulation of 200,000.

Landing a Ring cover became a top priority for every boxing manager from the 1920s and forward. If a fighter was ever going to become a fistic supernova, then he absolutely had to appear on the cover of The Ring. Tommy Gibbons, one of FIGHT FOR GLORY’s heroic boxing brothers, made three such appearances (December 1922, January 1925, June 1925). Fleischer along with The Garden’s impresario Rickard declared Tommy Gibbons as “the best in the world” and “the greatest boxer of his weight.”

Tommy’s older brother, Mike Gibbons, retired from the ring in late-summer 1922, narrowly missing his shot at a Ring cover. Mike, also known as the “St. Paul Phantom”, did receive extensive coverage through the decades. Fleischer was a die-hard Phantom fan. “Mike Gibbons was a master of the sweet science, one of the best that ever entered the squared circle,” he wrote. “His defense was perfect, his speed was blazing, his attack, mixed with puzzling feinting, was devastating. But for the prevalence of decision-less boxing that reigned during his career, Mike could have easily been crowned world middleweight champion.” In 1925, not long after Tommy Gibbons’ third Ring cover and final fight, along with Tex Rickard’s unrelated loss of “temple of fistiana” Madison Square Garden, Fleischer sensed that boxing’s Golden Age was winding down. “An age was ending,” Fleischer grieved. “The sun was setting. The curtain was coming down. Americans could feel it on their faces and in their hearts. The nation was changing. It would not be an easy change. Gone is the romance which we like to believe once was the very soul of the ring. Gone.”